A narrative movie without a credited chief, Looking For Sheela revels in avoiding the real issue. It endeavors to concoct a portrayal of an intriguing lady whose story is certainly worth a film. What it oversees is a tasteless apologia for a memorable, mistake thronw life that has seen too much good and bad times and has for quite a long time been encircled by secret.
Delivered by Dharmatic Diversion for Netflix, the one-hour film is an all-inclusive, winding adaptation of a Koffee With Karan scene that ferrets out nothing of import in regards to the very much reported outrages that landed Mama Anand Sheela, Acharya Rajneesh’s own secretary in the mid 1980s, in a US jail. The inquiries presented to Sheela are shallow, the appropriate responses considerably more so. Looking For Sheela is rigorously anesthetic admission: steadfastly unprovocative.Sheela says at one point in the film that columnists who approach her for interviews have their brains made up about her and her fierce past – the real heart to heart is in every case just a simple convention. This movie, as well, has its transfer speed and inevitable bearing cast inside a pre-decided form. The thought is to give the woman a stage to free herself of the awful press she has needed to deal with every one of these years. This film isn’t especially keen on stripping off the covers that stick to the conundrum.
Looking For Sheela would have been a limitlessly more watchable film had the conflict between the “public truth” and the indicated “reality” uncovered a Sheela that the world doesn’t have the foggiest idea. No beating occurs, no profundities are tested, and no genuine revelations made. The woman, on her part, is a cool client OK. In any event, when she is apparently bothered a smidgen by the line of addressing she is exposed to, her reaction is delicate and determined, planned neither to unveil any more than is significant nor to offend.Searching For Sheela, shot during Mama Anand Sheela’s first excursion to India in almost 35 years in the wake of the Netflix narrative arrangement Wild Nation, has a few noted writers and celebs (the majority of them in Delhi) communicating with the Vadodara-conceived lady who was Acharya Rajneesh’s own secretary in the mid 1980s and used extraordinary force in the master’s Wasco District, Oregon farm.
A few columnists and questioners, including Karan Johar himself, pose her practically a similar inquiry again and again – it relates to the wrongdoings that she confessed to and was detained for – however she slows down their testing with the generous grin of a lady who has confronted the flame broiling times without number and is currently an undisputed expert at not shrinking.